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Clause Finder

Agreement

25 clauses

Ordered for Canada — the CAN/US toggle above changes this on your next search. Every agreement is still searched; nothing is hidden.

  • 22.1DGC BCDirectors, ADs, production and location management, art department

    Studio Zone - Local

    Article 22 — TRAVELLING CONDITIONS, REPORT ZONE AND MEAL ALLOWANCES

    “The Vancouver Studio Zone shall be viewed as a grid, the boundaries of which are: • On the West, the shoreline;”
    DGC BC Collective Agreement 2025–2028, 22.1, p. 56 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 56

    DGC BC Collective Agreement 2025–2028, Article 22.1 (Studio Zone - Local), p. 56

  • 17.3DGC BCDirectors, ADs, production and location management, art department

    Working Outside Studio Zone

    Article 17 — REST PERIODS

    “When working outside the limit of the Studio Zone, the daily and weekly turnaround shall be computed from the Studio Zone boundary.”
    DGC BC Collective Agreement 2025–2028, 17.3, p. 45 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 45

    DGC BC Collective Agreement 2025–2028, Article 17.3 (Working Outside Studio Zone), p. 45

  • A352UBCP/ACTRA BCMPAPerformers — cast and background

    Studio Zone

    Article A3 — DEFINITION OF TERMS

    “The Vancouver Studio Zone (See Appendix “N” Map of Vancouver Studio Zone) shall be viewed as a grid, the boundaries of which are: • On the West, the shoreline;”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A352, p. 13 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 13

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A352 (Studio Zone), p. 13

  • Schedule X, Part II §32SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    NEW YORK STUDIO ZONE

    Schedule X, Part II — Background Actors — New York and the New York Background Actor zones

    “The New York Studio Zone shall mean the territory within a radius of eight (8) miles from Columbus Circle. A background actor may be asked to report only to a studio or location anywhere within this zone;”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule X, Part II §32, p. 759 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 759

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule X, Part II §32 (NEW YORK STUDIO ZONE), p. 759

  • 5.01BCCFUCrew — IATSE 891, ICG 669, Teamsters 155

    Studio Zones

    Article Five — Travel

    “The Vancouver Studio Zone (please see page 172 for map) shall be viewed as a grid, the boundaries of which are: • On the West, the shoreline;”
    BCCFU Master Agreement 2025–2028, 5.01, p. 22 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 22

    BCCFU Master Agreement 2025–2028, Article 5.01 (Studio Zones), p. 22

  • 22.2DGC BCDirectors, ADs, production and location management, art department

    Studio Zone - Distant

    Article 22 — TRAVELLING CONDITIONS, REPORT ZONE AND MEAL ALLOWANCES

    “For Distant Locations, the Employer may designate, after consulting with the DGC, an additional Studio Zone for an area within a circle having a radius of up to twenty-five (25) kilometers but not to exceed an average driving time of thirty (30) minutes,…”
    DGC BC Collective Agreement 2025–2028, 22.2, p. 57 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 57

    DGC BC Collective Agreement 2025–2028, Article 22.2 (Studio Zone - Distant), p. 57

  • Schedule X, Part I §31SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    LOS ANGELES STUDIO ZONE

    Schedule X, Part I — Background Actors — Los Angeles, Sacramento, San Diego, San Francisco, Hawaii and Las Vegas zones

    “The "Studio Zone" within the Los Angeles Background Actor Zone shall be the area within a circle thirty (30) miles in radius from the intersection of Beverly Boulevard and La Cienega Boulevard, Los Angeles, California, and shall also include Agua Dulce,…”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule X, Part I §31, p. 687 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 687

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule X, Part I §31 (LOS ANGELES STUDIO ZONE), p. 687

  • Appendix M-1UBCP/ACTRA BCMPAPerformers — cast and background

    Producer’s Representative UBCP Apprentice or

    Open the official PDF at p. 150

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Appendix M-1 (Producer’s Representative UBCP Apprentice or), p. 150

  • 5.02BCCFUCrew — IATSE 891, ICG 669, Teamsters 155

    Travel Within Studio Zones

    Article Five — Travel

    “Employees agreeing to use their private vehicles for production use will be paid a minimum of the per kilometre rate set forth in the following chart.”
    BCCFU Master Agreement 2025–2028, 5.02, p. 23 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 23

    BCCFU Master Agreement 2025–2028, Article 5.02 (Travel Within Studio Zones), p. 23

  • 22.3DGC BCDirectors, ADs, production and location management, art department

    Alternate Studio Zones

    Article 22 — TRAVELLING CONDITIONS, REPORT ZONE AND MEAL ALLOWANCES

    “The Union and an Employer may agree to establish alternate Studio Zones on a case-by-case basis.”
    DGC BC Collective Agreement 2025–2028, 22.3, p. 57 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 57

    DGC BC Collective Agreement 2025–2028, Article 22.3 (Alternate Studio Zones), p. 57

  • A1909UBCP/ACTRA BCMPAPerformers — cast and background

    No Weather-Permitting Calls in Studio

    Article A19 — CANCELLATIONS AND POSTPONEMENTS

    “No weather-permitting Calls shall be allowed for work in studio.”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A1909, p. 49 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 49

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A1909 (No Weather-Permitting Calls in Studio), p. 49

  • 3.7DGC BCDirectors, ADs, production and location management, art department

    Union Access to Studio or Location

    Article 3 — PROTECTION OF BARGAINING AUTHORITY AND BARGAINING UNIT WORK

    “Upon advance notice to an Employer, an authorized representative of the Union shall be permitted to visit any production location or site during the hours when Employees are working, provided work is not disrupted and the representative complies with the…”
    DGC BC Collective Agreement 2025–2028, 3.7, p. 9 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 9

    DGC BC Collective Agreement 2025–2028, Article 3.7 (Union Access to Studio or Location), p. 9

  • Schedule B §8SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    STUDIO PAYROLL WEEK - TIME OF PAYMENT

    Schedule B — Television Freelance Performers — weekly guarantee $4,800 or less

    “A. The studio payroll week shall be deemed to start at 12:01 a.m. on Sunday and end at 12:00 midnight of the succeeding Saturday. B.”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule B §8, p. 293 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 293

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule B §8 (STUDIO PAYROLL WEEK - TIME OF PAYMENT), p. 293

  • Schedule C §8SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    STUDIO PAYROLL WEEK - TIME OF PAYMENT

    Schedule C — Television Freelance Performers — weekly guarantee over $4,800

    “A. The studio payroll week shall be deemed to start at 12:01 a.m. on Sunday and end at 12:00 midnight of the succeeding Saturday. B.”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule C §8, p. 356 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 356

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule C §8 (STUDIO PAYROLL WEEK - TIME OF PAYMENT), p. 356

  • Schedule K, Part II §7SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    STUDIO PAYROLL WEEK - TIME OF PAYMENT

    Schedule K, Part II — Stunt Coordinators employed by the week — below the flat deal minimum

    “A. The studio payroll week shall be deemed to start at 12:01 a.m. on Sunday and end at 12:00 midnight of the succeeding Saturday. B.”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule K, Part II §7, p. 619 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 619

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule K, Part II §7 (STUDIO PAYROLL WEEK - TIME OF PAYMENT), p. 619

  • Schedule X, Part II §54SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    STUDIO PASSES

    Schedule X, Part II — Background Actors — New York and the New York Background Actor zones

    “The Producer shall give the Union full opportunity to check the performance of this Schedule including access to sets, but the Union checking shall be done in such a manner as not to interfere with production.”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule X, Part II §54, p. 775 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 775

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule X, Part II §54 (STUDIO PASSES), p. 775

  • Schedule B §38SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    STUDIO RULES

    Schedule B — Television Freelance Performers — weekly guarantee $4,800 or less

    “The performer agrees to be prompt in appearing for work as required by the Producer, to perform services hereunder in a conscientious and painstaking manner and in accordance with the reasonable instructions of the Producer, and to abide by the reasonable…”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule B §38, p. 329 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 329

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule B §38 (STUDIO RULES), p. 329

  • Schedule C §35SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    STUDIO RULES

    Schedule C — Television Freelance Performers — weekly guarantee over $4,800

    “The performer agrees to be prompt in appearing for work as required by the Producer, to perform services hereunder in a conscientious and painstaking manner and in accordance with the reasonable instructions of the Producer, and to abide by the reasonable…”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule C §35, p. 387 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 387

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule C §35 (STUDIO RULES), p. 387

  • Schedule X, Part I §53SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    STUDIO PASSES

    Schedule X, Part I — Background Actors — Los Angeles, Sacramento, San Diego, San Francisco, Hawaii and Las Vegas zones

    “The Producer shall give the Union full opportunity to check the performance of this Schedule, including access to sets, but the Union checking shall be done in such a manner as not to interfere with production.”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule X, Part I §53, p. 705 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 705

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule X, Part I §53 (STUDIO PASSES), p. 705

  • Schedule I §6SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    THE SEVENTH DAY IN THE WORKWEEK AND HOLIDAYS AND STUDIO SIXTH DAYS

    Schedule I — Airplane Pilots

    “Compensation for holidays shall be at the rate of double time based upon the pilot's hourly rate for such day.”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule I §6, p. 577 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 577

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule I §6 (THE SEVENTH DAY IN THE WORKWEEK AND HOLIDAYS AND STUDIO SIXTH DAYS), p. 577

  • Schedule B §9SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    THE PERFORMER’S WORKWEEK: STUDIO FIVE (5) DAY WEEK; OVERNIGHT LOCATION WEEK

    Schedule B — Television Freelance Performers — weekly guarantee $4,800 or less

    “A. Definitions - General (1) An "overnight location workweek," as used herein, shall be deemed to be a workweek consisting of six (6) overnight location days or six (6) days of any combination of studio and overnight location days, which combination includes…”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule B §9, p. 294 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 294

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule B §9 (THE PERFORMER’S WORKWEEK: STUDIO FIVE (5) DAY WEEK; OVERNIGHT LOCATION WEEK), p. 294

  • Schedule C §9SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    THE PERFORMER'S WORKWEEK: STUDIO FIVE (5) DAY WEEK; OVERNIGHT LOCATION WEEK

    Schedule C — Television Freelance Performers — weekly guarantee over $4,800

    “A. Definitions - General (1) An "overnight location workweek," as used herein, shall be deemed to be a workweek consisting of six (6) overnight location days or six (6) days of any combination of studio and overnight location days, which combination includes…”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule C §9, p. 357 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 357

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule C §9 (THE PERFORMER'S WORKWEEK: STUDIO FIVE (5) DAY WEEK; OVERNIGHT LOCATION WEEK), p. 357

  • Schedule E §8SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    THE PERFORMER'S WORKWEEK: STUDIO FIVE (5) DAY WEEK; OVERNIGHT LOCATION WEEK

    Schedule E — Contract Performers — $4,650 or less per week

    “A. Definitions - General (1) An "overnight location workweek," as used herein, shall be deemed to be a workweek consisting of six (6) overnight location days or six (6) days of any combination of studio and overnight location days, which combination includes…”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule E §8, p. 417 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 417

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule E §8 (THE PERFORMER'S WORKWEEK: STUDIO FIVE (5) DAY WEEK; OVERNIGHT LOCATION WEEK), p. 417

  • Schedule F §3SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    THE PERFORMER'S WORKWEEK: STUDIO FIVE (5) DAY WEEK; OVERNIGHT LOCATION WEEK

    Schedule F — Contract Performers — over $4,650 per week

    “A. Definitions-General (1) An "overnight location workweek," as used herein, shall be deemed to be a workweek consisting of six (6) overnight location days or six (6) days of any combination of studio and overnight location days, which combination includes a…”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule F §3, p. 467 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 467

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule F §3 (THE PERFORMER'S WORKWEEK: STUDIO FIVE (5) DAY WEEK; OVERNIGHT LOCATION WEEK), p. 467

  • Schedule K, Part II §8SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    THE COORDINATOR'S WORKWEEK: STUDIO FIVE (5) DAY WEEK; OVERNIGHT LOCATION WEEK

    Schedule K, Part II — Stunt Coordinators employed by the week — below the flat deal minimum

    “A. Definitions - General (1) An "overnight location workweek," as used herein, shall be deemed to be a workweek consisting of six (6) overnight location days or six (6) days of any combination of studio and overnight location days, which combination includes…”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule K, Part II §8, p. 620 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 620

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule K, Part II §8 (THE COORDINATOR'S WORKWEEK: STUDIO FIVE (5) DAY WEEK; OVERNIGHT LOCATION WEEK), p. 620

What this searches

  • BCCFU Master Agreement 2025–2028

    Crew — IATSE 891, ICG 669, Teamsters 155

    209 clauses indexed — to printed page 168 of 191. Links open the copy hosted at iatse.com.

    Page numbers verified 2026-08-06 — the hosted file was checked byte for byte against the copy these page numbers were read from.

  • B.C. Master Production Agreement 2025–2028

    Performers — cast and background

    363 clauses indexed — to printed page 206 of 228. Links open the copy hosted at ubcpactra.ca.

    Page numbers verified 2026-08-16 — the hosted file was checked byte for byte against the copy these page numbers were read from.

  • DGC BC Collective Agreement 2025–2028

    Directors, ADs, production and location management, art department

    240 clauses indexed — to printed page 177 of 181. Links open the copy hosted at amptp.org.

    Page numbers verified 2026-08-06 — the hosted file was checked byte for byte against the copy these page numbers were read from.

  • SAG-AFTRA TV/Theatrical Memorandum of Agreement 2026

    SAG-AFTRA TV/Theatrical productions — a US agreement

    62 clauses indexed — to printed page 140 of 146. Links open the copy hosted at amptp.org.

    Page numbers verified 2026-08-06 — the hosted file was checked byte for byte against the copy these page numbers were read from.

  • Producer–SAG-AFTRA Codified Basic Agreement 2014, as amended through 2026

    SAG-AFTRA theatrical performers — schedules by category, including stunts and background

    503 clauses indexed — to printed page 780 of 797. Links open the copy hosted at amptp.org.

    Page numbers verified 2026-08-22 — the hosted file was checked byte for byte against the copy these page numbers were read from.

  • SAG-AFTRA Television Agreement 2014, as amended through 2026

    SAG-AFTRA television performers — read with the Codified Basic Agreement

    83 clauses indexed — to printed page 318 of 384. Links open the copy hosted at amptp.org.

    Page numbers verified 2026-08-22 — the hosted file was checked byte for byte against the copy these page numbers were read from.

What this is not

This finds clauses. It does not interpret them, and it does not tell you which agreement covers you — that question turns into a grievance, and it is deliberately out of scope.

The full text of these agreements belongs to the unions that wrote them and is not reproduced here. Each result shows the opening sentence or two of the clause, quoted automatically from the official document and attributed to its page. That is a pointer, not the clause — open the PDF for the rest of it, and read there before you rely on it.

Rate schedules and wage tables are skipped on purpose. Where the appendices renumber, the index stops — the coverage above says where.