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Clause Finder

Agreement

25 clauses

Ordered for Canada — the CAN/US toggle above changes this on your next search. Every agreement is still searched; nothing is hidden.

  • A1301UBCP/ACTRA BCMPAPerformers — cast and background

    Rest Between Days

    Article A13 — REST PERIODS

    “On a Motion Picture, segment of a Mini-Series or episode of a Series which commences principal photography on or after May 4, 2025, there shall be a rest period of not less than eleven (11) hours between the end of one (1) work day and the beginning of the next Call.”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A1301, p. 40 — checked against the official document.
    Open the official PDF at p. 40

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A1301 (Rest Between Days), p. 40

  • Sideletter No. 5UBCP/ACTRA BCMPAPerformers — cast and background

    Rest Between Days

    Open the official PDF at p. 189

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Sideletter No. 5 (Rest Between Days), p. 189

  • A707UBCP/ACTRA BCMPAPerformers — cast and background

    Over-scale Performers

    Article A7 — CONTRACTING OF PERFORMERS

    “Offsetting of Over-scale shall not be allowed to reduce a Performer's fees to less than the minimum rates or fees.”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A707, p. 34 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 34

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A707 (Over-scale Performers), p. 34

  • A502UBCP/ACTRA BCMPAPerformers — cast and background

    Performers to Report

    Article A5 — OBLIGATIONS OF THE UNION AND PERFORMERS

    “Performers shall report to the Producer or the Producer’s designate before leaving the studio or location following the completion of scheduled work.”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A502, p. 27 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 27

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A502 (Performers to Report), p. 27

  • D304UBCP/ACTRA BCMPAPerformers — cast and background

    Stand-ins / Continuity Background Performers to be Members

    Article D3 — QUALIFICATION OF BACKGROUND PERFORMERS

    “Only Union Members (with preference first to Full Members and then to Apprentice Members) shall be engaged in the categories of Stand-in or Continuity Background Performer except in the following circumstances: (a) Minors;”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, D304, p. 107 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 107

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article D304 (Stand-ins / Continuity Background Performers to be Members), p. 107

  • §72SAG TVASAG-AFTRA television performers — read with the Codified Basic Agreement

    DELIVERY OF CONTRACTS - DAY PERFORMERS AND FREELANCE PERFORMERS - NOT INCLUDING SERIES PERFORMERS (SCHEDULES A, B, C, G, H AND I)

    “To the extent that the agreement reached between the Producer and the performer can be reflected on the form required by the collective bargaining agreement plus Producer’s standard riders to be filed with the Union, Producer shall deliver a copy of such…”
    2014 SAG-AFTRA Television Agreement, §72, p. 187 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 187

    2014 SAG-AFTRA Television Agreement, §72 (DELIVERY OF CONTRACTS - DAY PERFORMERS AND FREELANCE PERFORMERS - NOT INCLUDING SERIES PERFORMERS (SCHEDULES A, B, C, G, H AND I)), p. 187

  • A1401UBCP/ACTRA BCMPAPerformers — cast and background

    Meal Period

    Article A14 — MEAL PERIODS

    “Each Performer shall be provided a meal period of a minimum of thirty (30) minutes after the last Performer has been served to a maximum of sixty (60) minutes after the first Performer has been served.”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A1401, p. 41 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 41

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A1401 (Meal Period), p. 41

  • A507UBCP/ACTRA BCMPAPerformers — cast and background

    Performer Residency

    Article A5 — OBLIGATIONS OF THE UNION AND PERFORMERS

    “At the time of Booking of a Performer, the Producer has a right to require and the Performer shall supply to the Producer reasonable residency information as set out in the Canada Revenue Agency Guidelines for Film and Media Tax Credits “Residency…”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A507, p. 28 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 28

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A507 (Performer Residency), p. 28

  • A1908UBCP/ACTRA BCMPAPerformers — cast and background

    Cancellation of Scheduled Days

    Article A19 — CANCELLATIONS AND POSTPONEMENTS

    “If the Producer cancels a Performer's scheduled day or days, the Performer shall be paid in full the contracted fee for such cancelled day or days, except as modified by other provisions of Article A19 (Cancellations and Postponements).”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A1908, p. 49 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 49

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A1908 (Cancellation of Scheduled Days), p. 49

  • A2101UBCP/ACTRA BCMPAPerformers — cast and background

    Upgrading of Performers

    Article A21 — UPGRADING

    “Where a Performer is upgraded in category during the course of production, (except as provided in D405 (Working in a Higher Category), i.e., Background Performers upgraded in a Background Performer category), the Performer shall receive payment in accordance…”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A2101, p. 52 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 52

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A2101 (Upgrading of Performers), p. 52

  • A423UBCP/ACTRA BCMPAPerformers — cast and background

    Producer to Indemnify Performer

    Article A4 — OBLIGATIONS OF PRODUCER

    “The Producer shall indemnify the Performer against all legal costs and any judgment arising out of a performance based upon a script supplied to the Performer by the Producer and performed by the Performer as directed by the Producer, provided the Performer…”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A423, p. 26 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 26

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A423 (Producer to Indemnify Performer), p. 26

  • §31SAG TVASAG-AFTRA television performers — read with the Codified Basic Agreement

    REST PERIOD

    “The provisions of the various Schedules providing for a reduction of the twelve (12) hour rest period to ten (10) hours in certain instances shall be modified as follows: When the Producer is photographing on a location other than an overnight location, the…”
    2014 SAG-AFTRA Television Agreement, §31, p. 128 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 128

    2014 SAG-AFTRA Television Agreement, §31 (REST PERIOD), p. 128

  • A1404UBCP/ACTRA BCMPAPerformers — cast and background

    Extension of the Work Period

    Article A14 — MEAL PERIODS

    “The six (6) hour work period may be extended by the Producer for a maximum of two-tenths (0.2) hour which shall be neither scheduled nor abused.”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A1404, p. 42 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 42

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A1404 (Extension of the Work Period), p. 42

  • A1906UBCP/ACTRA BCMPAPerformers — cast and background

    Change in Scheduled Days

    Article A19 — CANCELLATIONS AND POSTPONEMENTS

    “If for any reason other than weather, the Producer changes a Performer’s Booking or engagement to another day, the following conditions apply: (a) If the notice of change is given to the Performer less than twenty-four (24) hours before the hour scheduled for…”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, A1906, p. 48 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 48

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article A1906 (Change in Scheduled Days), p. 48

  • Appendix VUBCP/ACTRA BCMPAPerformers — cast and background

    HAIR AND MAKEUP FOR BACKGROUND PERFORMERS

    Open the official PDF at p. 179

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Appendix V (HAIR AND MAKEUP FOR BACKGROUND PERFORMERS), p. 179

  • F303UBCP/ACTRA BCMPAPerformers — cast and background

    Use of a Background Performer Digital Replica

    Article F3 — DIGITAL REPLICATION AND ALTERATION OF BACKGROUND PERFORMERS4

    “Use in the Production for Which the Background Performer Was Engaged (i) A Producer may use a Background Performer’s Background Performer Digital Replica in connection with a Production for which the Background Performer was engaged upon obtaining the…”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, F303, p. 122 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 122

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article F303 (Use of a Background Performer Digital Replica), p. 122

  • Appendix EUBCP/ACTRA BCMPAPerformers — cast and background

    PERFORMER CONTRACT FOR INDEPENDENT PRODUCTION

    Open the official PDF at p. 130

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Appendix E (PERFORMER CONTRACT FOR INDEPENDENT PRODUCTION), p. 130

  • Schedule F §9SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    REST PERIOD

    Schedule F — Contract Performers — over $4,650 per week

    “A. Twelve (12) Hour Rest Period The performer shall be entitled to a twelve (12) hour consecutive rest period from the time he is finally dismissed until his first call thereafter, whether for make-up, wardrobe, hairdress or any other purpose.”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule F §9, p. 484 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 484

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule F §9 (REST PERIOD), p. 484

  • Schedule E §12SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    REST PERIOD

    Schedule E — Contract Performers — $4,650 or less per week

    “A. Twelve (12) Hour Rest Period The performer shall be entitled to a twelve (12) hour consecutive rest period from the time he is finally dismissed until his first call thereafter, whether for make-up, wardrobe, hairdress or any other purpose.”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule E §12, p. 426 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 426

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule E §12 (REST PERIOD), p. 426

  • Schedule C §14SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    REST PERIOD

    Schedule C — Television Freelance Performers — weekly guarantee over $4,800

    “A. Twelve (12) Hour Rest Period The performer shall be entitled to a twelve (12) hour consecutive rest period from the time he is finally dismissed until his first call thereafter, whether for make-up, wardrobe, hairdress or any other purpose.”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule C §14, p. 364 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 364

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule C §14 (REST PERIOD), p. 364

  • Schedule A §10SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    REST PERIOD

    Schedule A — Day Performers

    “A. Twelve (12) Hour Rest Period The performer shall be entitled to a twelve (12) hour consecutive rest period from the time he is finally dismissed until his first call thereafter, whether for make-up, wardrobe, hairdress or any other purpose.”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule A §10, p. 245 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 245

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule A §10 (REST PERIOD), p. 245

  • Schedule B §14SAG CBASAG-AFTRA theatrical performers — schedules by category, including stunts and background

    REST PERIOD

    Schedule B — Television Freelance Performers — weekly guarantee $4,800 or less

    “A. Twelve (12) Hour Rest Period The performer shall be entitled to a twelve (12) hour consecutive rest period from the time he is finally dismissed until his first call thereafter, whether for make-up, wardrobe, hairdress or any other purpose.”
    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule B §14, p. 302 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is the 2014 base text. It has been amended by the 2017, 2020, 2023 and 2026 Memoranda of Agreement, which are not folded into the wording above. This site has checked the rest periods, which are unchanged, and the Section 50 minors provisions, which the 2023 and 2026 memoranda did amend — assume nothing else here has been. Check the memoranda before relying on this one.

    Open the official PDF at p. 302

    Producer–SAG-AFTRA Codified Basic Agreement of 2014, Schedule B §14 (REST PERIOD), p. 302

  • 23SAG-AFTRA MOASAG-AFTRA TV/Theatrical productions — a US agreement

    Modified Deal Performer and Modified Guest Performer (Union Proposal No.

    “and Producers' Proposal No. 13) a. Overall Production Period (Union Proposal No. 22.a.) Modify Sections 4.1(a) and (b) of the Television Agreement as follows: "(a) ...”
    2026 SAG-AFTRA TV/Theatrical Memorandum of Agreement, 23, p. 26 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is a change document, not the agreement. It records what the 2026 round altered — read it alongside the agreement it amends, not on its own.

    Open the official PDF at p. 26

    2026 SAG-AFTRA TV/Theatrical Memorandum of Agreement, Article 23 (Modified Deal Performer and Modified Guest Performer (Union Proposal No.), p. 26

  • D401UBCP/ACTRA BCMPAPerformers — cast and background

    Booking and Upgrades

    Article D4 — CONDITIONS OF ENGAGEMENT (QUALIFIED BACKGROUND PERFORMERS)

    “Upon Booking, Background Performers shall be given specific notice of wardrobe requirements, category of Background Performer work and, if known: (a) any prosthetics or special make-up that is required; or (b) use of rain towers;”
    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, D401, p. 107 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.
    Open the official PDF at p. 107

    UBCP/ACTRA B.C. Master Production Agreement 2025–2028, Article D401 (Booking and Upgrades), p. 107

  • 30SAG-AFTRA MOASAG-AFTRA TV/Theatrical productions — a US agreement

    Recurring Performers and Performers Engagement By the Week (Union Proposal

    “No. 32) a. Weekly Performers Engaged on Multiple Episodes/Parts (Union Proposal No. 32.a.) i.”
    2026 SAG-AFTRA TV/Theatrical Memorandum of Agreement, 30, p. 36 — quoted automatically from the official document, not checked by a person. Open the PDF for the full clause.

    This is a change document, not the agreement. It records what the 2026 round altered — read it alongside the agreement it amends, not on its own.

    Open the official PDF at p. 36

    2026 SAG-AFTRA TV/Theatrical Memorandum of Agreement, Article 30 (Recurring Performers and Performers Engagement By the Week (Union Proposal), p. 36

What this searches

  • BCCFU Master Agreement 2025–2028

    Crew — IATSE 891, ICG 669, Teamsters 155

    209 clauses indexed — to printed page 168 of 191. Links open the copy hosted at iatse.com.

    Page numbers verified 2026-08-06 — the hosted file was checked byte for byte against the copy these page numbers were read from.

  • B.C. Master Production Agreement 2025–2028

    Performers — cast and background

    363 clauses indexed — to printed page 206 of 228. Links open the copy hosted at ubcpactra.ca.

    Page numbers verified 2026-08-16 — the hosted file was checked byte for byte against the copy these page numbers were read from.

  • DGC BC Collective Agreement 2025–2028

    Directors, ADs, production and location management, art department

    240 clauses indexed — to printed page 177 of 181. Links open the copy hosted at amptp.org.

    Page numbers verified 2026-08-06 — the hosted file was checked byte for byte against the copy these page numbers were read from.

  • SAG-AFTRA TV/Theatrical Memorandum of Agreement 2026

    SAG-AFTRA TV/Theatrical productions — a US agreement

    62 clauses indexed — to printed page 140 of 146. Links open the copy hosted at amptp.org.

    Page numbers verified 2026-08-06 — the hosted file was checked byte for byte against the copy these page numbers were read from.

  • Producer–SAG-AFTRA Codified Basic Agreement 2014, as amended through 2026

    SAG-AFTRA theatrical performers — schedules by category, including stunts and background

    503 clauses indexed — to printed page 780 of 797. Links open the copy hosted at amptp.org.

    Page numbers verified 2026-08-22 — the hosted file was checked byte for byte against the copy these page numbers were read from.

  • SAG-AFTRA Television Agreement 2014, as amended through 2026

    SAG-AFTRA television performers — read with the Codified Basic Agreement

    83 clauses indexed — to printed page 318 of 384. Links open the copy hosted at amptp.org.

    Page numbers verified 2026-08-22 — the hosted file was checked byte for byte against the copy these page numbers were read from.

What this is not

This finds clauses. It does not interpret them, and it does not tell you which agreement covers you — that question turns into a grievance, and it is deliberately out of scope.

The full text of these agreements belongs to the unions that wrote them and is not reproduced here. Each result shows the opening sentence or two of the clause, quoted automatically from the official document and attributed to its page. That is a pointer, not the clause — open the PDF for the rest of it, and read there before you rely on it.

Rate schedules and wage tables are skipped on purpose. Where the appendices renumber, the index stops — the coverage above says where.